Excesos y perversión:

una aproximación a la narrativa de Félix Bruzzone

Abstract

The following article will start from the hypothesis that Félix Bruzzone's narrative constitutes part of a constellation of writings that have a narrative relationship with the past dissimilar to that of "narrative familism." From this idea, the figure of the ragman as a figure a positioning against the dominant speeches, will serve to read this narrative in connection with the hegemonic production about the recent past. Overflow and excess are possible to think from the categories of "potlatch", and abjection. These theoretical tools allow the reading of this work around the idea of perversion, that is, from another version of the instituted count.