Aparecida (2015), de Marta Dillon; Nostalgia de la luz (2010) y Botón de nácar (2015), de Patricio Guzmán. Miradas sobre la materialidad del cuerpo y de la memoria

Abstract

The present work will address the problem of postdictatorship memory and the body in Marta Dillon's Aparecida (2015); Nostalgia for light (2010) and Nacre Button (2015), by Patricio Guzmán. This corpus will be questioned based on modern and contemporary debates on mourning and melancholy, starting from Sigmund Freud to Idelber Avelar and Hugo Vezzetti. It will also focus on the uniqueness of the cultural production of H.I.J.O.S. until finally reaching the conclusions about the materiality of the body and memory in the works mentioned.